Living with Art

In Interview with Architects Anna Tarragona and Lars Höhne – by Edith Minkner

EM: In your work we often see wonderful pieces of art. What role does art play in your architecture?

LH: In our projects it is not our own relationship with art that matters, but that of our clients. In recent years, the design of private homes in Mallorca – especially high-end villas and residences – has become increasingly complex. Art often plays a decisive role: sometimes it is about integrating a single significant piece of art from the very beginning, sometimes it is about preparing the right spaces for an entire collection.

EM: How do art and architecture complement each other in your projects?

AT: Every piece of art makes a space unique. It can either be the focal point, dominating the atmosphere, or it can blend in harmoniously – both can be equally desirable. What matters to us is that art enters into a dialogue with the space and with the people who live there.

EM: This dialogue has to be something people can feel and experience. What has to be considered?

LH: Essentially, the same technical and formal criteria that museums and galleries work with: the proportions of walls and openings, the relationship between different works of art, the use of base colours, light and lighting during day and night. What matters is directing spatial effects, sequencing them properly, and controlling distance and proximity.

EM: And on the technical side?

LH: Direct sunlight and reflections need to be managed or even avoided. Artificial lighting has to be flexible and carefully tuned. We also consider humidity control, and in the case of sculptures, structural aspects may come into play. These details are crucial, especially in luxury homes that integrate significant art collections.

EM: Are there special aspects here in Mallorca?

AT: The Mediterranean light on Mallorca is unique – but also intense, so it needs to be controlled. Many of our villas are built on spectacular plots with panoramic views of the sea and landscape. Windows then become frames for these views. Art must not compete with the landscape, but enter into dialogue with it.

EM: That’s especially important for sculptures in outdoor spaces…

AT: Exactly. The perception and effect of a sculpture should be carefully orchestrated – through good landscape design and its integration with the architecture.

EM: What is special for you about working with art in architecture?

AT: People often have a very personal relationship with their art. Designing a home is like writing the script for future experiences. Art enriches those experiences with emotions – in the words of Paul Klee: “One eye sees, the other feels.”